A Guided Tour of Dante's Florence
Prologue: The Everyday world of Dante
Because Dante presents such a complete, self-contained world in The
Divine Comedy, it's easy to lose of sight how closely his afterworld
is modeled on his own experience. Of course, Dante is known for
peopling the Comedy with his acquaintances, but more
importantly, he vividly recreates the physical world of those
people. Because the poet
incorporates so many details of everyday life into his fiction, we can
better understand his themes if we familiarize ourselves with daily life
in Florence at the end of the Middle Ages.
Florence Then and Now
A New Jerusalem
Obviously much in Florence has changed over the last 600 years. But
to Dante and other chroniclers of the thirteenth and fourteenth
centuries, change was far more common than stability. The spirit of the
Renaissance was beginning to displace the traditional outlook and values
of the Middle Ages, as innovations in literature, art, music, business, and
science challenged the dominance of the Catholic church in the daily
lives of citizens.
Obedience versus Individuality
Generally, the medieval religious leaders and
thinkers had maintained that individuals were only free when they
subordinated their personal desires to the divine will. Renaissance
artists and philosophers, however, argued that for individuals to be
truly godlike, they first had to understand and develop their own unique
qualities. In the work of Dante, standing as it does between the end of
the Middle Ages and the beginning of the Renaissance, we see the
appreciation and promotion of individual talent and creativity (in
Dante's comments on the artists Cimabue and Giotto, for example), and at
the same time we are constantly reminded by the poet that individual
talent that does not serve a higher purpose communicates only the pride
and self-centeredness of the artist. Dante's observations on his city and
its cultural, religious, and political turmoil often display an
ambivalence toward change and stability.
Between Two Worlds
If, as many scholars have
observed, Dante is the last great writer to believe in the unity of the
cosmos, he is also one of the first writers to perceive the divisions
between individual and society, freedom and authority, the secular and
the sacred that Renaissance artists in the humanist tradition (Petrarch,
Rabelais, Michaelangelo for example) would depict in their work.
In his criticism of Florence for its growing
materialism and moral decay, Dante may seem rather conservative. In
other ways, though, Dante broke away from medieval traditions: his group
of poets, the stilnovisti or "new stylists," developed a "sweet
new style" of poetry that substituted simplicity and elegance for the
often harsh rhetoric and word play of earlier poetry. Dante also
challenged tradition in the political realm. His commentary De
Monarchia (On
Monarchy) was so radical for its time in suggesting that the secular
emperor should be on an equal footing with the pope that the church
forbade anyone to read it, until the nineteenth century. Still, history
credits later poets, political philosophers, and theologians with the
revolutions in outlook that persist to this day.
But
despite six centuries of change in taste and philosophy, the fact that
so much of medieval Florence survives today testifies to the
enduring nature of its achievement.
Wandering through these Streets
After each introductory paragraph below are links to various web sites
that portray an aspect of Florence in Dante's time. On these pages you
may find links to other areas of interest. Feel free to explore these
side streets; the detour can be as interesting as the main route.
Should you get lost, use the Netscape Back button on the top of the
Netscape screen (not the back button on the web page), or the Go
command to trace your way back to this page. The links
marked
consist of audio (.wav files). If your computer is equipped
with a sound card and speakers or headphone, you can click on these and
listen to them as you tour the sites.
| Prologue |
Churches and Art |
History |
Other Sites |
Bibliography |
Credits |
This tour created by Dr. Steven Hale, Humanities Division, DeKalb College
E:mail:
shale@gpc.edu