How to Analyze a Passage in a Play
- Read the entire play first. Often the consequences of an action
aren't clear until the end of the play.
- Re-read the passage you're analyzing and answer the following questions:
- Who are the characters on the stage?
- What is the central issue the characters are discussing?
- What are the views of the characters in the scene? Since drama is
based on conflicts, at least two of the characters will
differ in their viewpoints. Remember that there may be
more than two sides to the issue.
- Does the author seem to try to get you to side with one particular
side?
- Does the action that follows suggest that one or more of the
characters were right? That one or more characters were wrong?
- If the actions or beliefs of the character(s) you were
siding with prove to be wrong in some way, why might
the author have led you to sympathize with this character
before you found out the results of the character's beliefs?
- What lessons do the various characters learn by the end of the
play? Does their understanding suggest some sort of theme?
- Given your understanding of the entire play, what is the theme
of the passage? (Remember to state the theme in general or universal
terms, rather than just summarizing the particular actions or beliefs
of the particular characters.)
- Now that you've chosen a theme, re-read the passage and look for details
in the characters' speeches and actions (or lack thereof) that support
your interpretation. Be sure to note any ironies in word or
deed. (In general, irony results from a discrepancy between someone's
actions or beliefs and the reality of the situation. For
example, if someone who claims to be against violence hits her
opponent in a debate, then her action may be termed ironic.
(Other examples of irony: a preacher who has an affair with
a member of his congregation, a psychiatrist who can't solve his
own problems). In plays and film, a special kind of irony--
dramatic irony--emphasizes the discrpancy between what a
character does or thinks and what the audience knows to be
the case. Horror films and tragedies often use dramatic irony:
the baby sitter who tells the children upstairs to be quiet, not
realizing (as the audience does) that the psychopathic killer is
the one making the noise. A playwright may use dramatic irony to
illustrate the limitations of human perceptions or beliefs, or the
inability of a character to admit having those limitations.
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